Sarn by Adrian Heath could indeed evoke the impression of abstracted human forms, such as the leg and stomach of a naked woman. Heath’s work often played with the abstraction of shapes and figures, transforming them into geometric or organic forms that might hint at the human body without directly representing it. The flowing, curving lines in the painting could be interpreted as elements of the human figure, and the large scale might further emphasize the presence of the body, adding a sensual or organic quality to the composition.

This interpretation aligns with Heath’s ability to leave space for the viewer’s imagination, allowing different readings and emotional responses to the work based on personal perspective. The ambiguity in the forms could be part of the artist's intent, offering a subtle commentary on the abstraction of human identity in art.