ALAN DAVIE

"Art is an adventure into the unknown."

WHO IS ALAN DAVIE?

Alan Davie was never about fitting into the art world. Born in Grangemouth, Scotland, in 1920, he was a regular kid from a working-class family who happened to love painting, jazz, and the thrill of the unknown. He wasn’t interested in being polished or perfect—he wanted his art to feel alive, messy, and personal. For Davie, it was never about showing off or creating something “important.” It was about the people who looked at his art and felt something.

WHAT INSPIRED ALAN DAVIE?

Jazz and improvisation: Jazz was more than music to Davie; it was a philosophy. He admired how jazz musicians embraced spontaneity, creating something unique in the moment. That same energy found its way into his painting, where no stroke was planned, and every canvas became an exploration.

The natural world: Like the myths and symbols he loved, nature’s rhythms and patterns inspired him. His work often echoes the chaos and beauty of the world around us.

Ancient and tribal art: Davie was captivated by the raw, symbolic power of tribal and prehistoric art. He saw these works not as relics but as living, breathing expressions of humanity’s shared subconscious. He incorporated similar symbols into his pieces, connecting modern abstraction to ancient storytelling.

Eastern philosophy and spirituality: Davie’s interest in Zen Buddhism and Eastern mysticism encouraged him to approach art as an act of surrender—a way of channeling something greater than himself.

Surrealists and Abstract Expressionists: While Davie carved out his own path, he shared a kindred spirit with artists like Jackson Pollock, Joan Miró, and Paul Klee, who similarly sought to create art that felt instinctive, unrestrained, and deeply personal.

  • “I never really mixed with other artists, but I met some of my contemporaries when I came over to New York for my first show – people like Willem de Kooning, Yves Klein and Pollock came to the opening. My main interest is primitive art. I have a big collection of African and Oceanic things all round my house – they sit very nicely next to my paintings.”

    Interview by Louise Cohen, Tate Gallery, 2009

  • The Work of Art seems to be something thrown off – a by-product of the process of being and working. Art just happens….

    Notes by the Artist (1958)

  • I don’t practice painting as an Art but as a means to enlightenment.

    Towards a Philosophy of Creativity (1997)

  • “At Edinburgh College of Art I learned to hate Art”

    (1963)

  • The real purpose of art teaching for me is the liberation of the human spirit – not the production of artists”

     (1997)

  • that which I am seeking is not here…what a mass of ugly rubbish is on show here under the name of Art”

    This destructive, yet at the same time liberating attitude, was also directed at the contemporary post war art scene in London where he found

CAREER HIGHLIGHTS

Global recognition

Exhibited in major galleries like Tate Britain, MoMA, and the Peggy Guggenheim Collection.

WHERE YOU MIGHT’VE SEEN HIS WORK

Tate Britain and MoMA: His bold, colorful pieces are part of their permanent collections

Art history books: His name pops up whenever the evolution of British abstraction is discussed.

Breaking boundaries

One of the first British artists to embrace Abstract Expressionism, putting him on the map alongside figures like Jackson Pollock.

A lasting legacy

Davie’s fearless, experimental style influenced generations of artists, from his contemporaries to modern creatives.